Spring
Draw-Out by Karl
Marxhausen
April 2007
After a week of working with my
students, I was ready to kick back,
gather up my gear and head down to Waverly, MO. Herman Peters
had given me
permission to draw and paint on his property, on a hill that
looked out over the
Missouri River. (I find it helpful to get permission to be on
another person's property.)
I swung by to pick up my painting friend Joe Tonnar. He
loaded the truck
with an homemade outdoor easel and his drawing supplies.
Ten miles later, and two
miles east of Waverly, we arrived at our destination.
Apple orchards dotted the neighboring hills.
The air was breezy and warm. Joe
and I walked around to consider potential
set-up sites. The green leaves had not yet
come out, so one could still see the wide
river through the branches. The flat cultivated fields stretched
for miles into Carroll
County, on the other side of the river. Further
up the hill I could see the sillouette
of the watertower and the new bridge, as well as rooftops tucked
among barren
trees. Joe said he would like to be able to do a location
during different seasons
of the year.
I had brought my painting gear, but decided
it was too windy, the paints would have dried faster than I
wanted to
deal
with.
I wanted to ease into this first spring outting gently. I was
more interested in
being
out
in the elements, seeing what I could see, than producing work. There
would
be
other times
after school got out, when time was freed up. This was one
thing I enjoyed
about my
line of work. With teacher's hours I could work nine
months and have three
months off with
pay. After walking and looking, I decided
to work down the hill from
Joe with my soft oil pastels.
To get some altitude, I parked the
pickup close to my scene, skampered up
on top of the cab, and was able to get the foreground (grass
tufts and dirt),
the tops of trees, down the the river, and on towards the bluish
horzon. I worked
until my bottom numbed.
View
of River
by Karl Marxhausen
11" x
14" Craypas on Paper
April 2007
View of River
by Joe Tonnar
18" x 24" pastel on paper
April 2007
We had worked from 10:30 am to 1:00 pm. After
which I was too wind blown to
begin again, so he tore down and packed up, and then we drove
around the
outskirts of Waverly with the windows rolled down. The
temperature was in the
pleasant 70s.
I tried to find Casner's Landing, a
place Herman told me was down on the
Missouri River on the Carroll County side. It was hot and dusty
and I could not
find the right road. So I gave up trying, and as we
rumbled down the gravel road
past Joe's cousin's house, he told me, "It's good for artists to bond."
I nodded in
agreement. "To getting
together and exchange ideas," he continued.
Joe's Studio
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